UKRAINE: Making pysanky

Not my pysanky – Source

Pysanky are pretty big in the part of Canada I grew up in (we even have a giant pysanky to go with the giant pierogi), and skilled pysanky are absolute stunning pieces of art. Pysanky (singular pysanka) are highly-decorated Ukrainian Easter eggs, made the same way batik is – using wax to cover layers of dye to make designs. There’s a lot of tradition in Ukraine over giving pysanky during the Easter season and a lot of meaning carried by the designs, and the art has been carried through the Ukrainian diaspora. They’re more than just decorative like the dip-dyed Easter eggs you make as a kid.

I’m going to try making pysanky for the first time! I’m a total novice, so I ordered a pysanky kit from This Folk Life – dyes, beeswax, candle, and a kistka (the stylus to draw wax with). All I needed was a few eggs, and egg piercer (the one from my egg steamer) and some boiling water and vinegar. It really helps to put newspaper down as well – I was also glad I have a black kitchen table.

It helps to sketch patterns on the eggshell with a pencil. I found some really helpful step-by-step beginner patterns at LearnPysanky.com and a general tutorial from the Capital Ukrainian Festival here in Ottawa. You work from lightest to darkest colours, using the candle to melt the beeswax into the kitska.

Once the dyeing is done, if you want to keep the egg, you’ll need to empty it. It’s a delicate process but between a needle to poke holes and a bobby pin / paperclip to break up the yolk, you can blow the insides out without breaking the shell.

If you want to keep your egg, you have to empty it before getting to the really fun part, melting the wax (or else you’ll have some hardboiled egg inside). You use the side of the flame and wipe gently with a paper towel, and it’s really fun to see your design emerge.

It’s very rudimentary, but I’m really proud of my very first pysanky!

I had a couple more eggs, so I played around with patterns and different colours. It takes some practice to not “sketch” the lines in wax and just commit to one line, and filling in larger sections with wax so there’s no gaps is tricky. I got creative with an impressionist (that’s what I’m calling it) Ukrainian sunflower.

This was super messy, super fun, and I think I’m hooked. The dye will keep, so I may go get some more eggs and see practice some more!

What did I learn: GABON

This month I learned more about Gabon – a country I had very little knowledge about when I started!

I focused a lot on politics in Gabon, especially President Ali Bongo – who holds power despite ill health, and inherited control of the country from his father Omar Bongo on his death (while Ali’s mother has taken her career in a different direction). The 2016 election still resonates deeply around Gabon’s politics and culture – the opposition almost ousted Bongo democratically, but vote rigging and then a violent crackdown balanced the tables back in Bongo’s favour.

France’s role in Gabon also kept coming up – like most of French Africa, Gabon is economically and fiscally tied to the former colonial power, and Gabon is particular was the poster child for La Françafrique – France’s neocolonial method of keeping control and access to resources in its former colonies.

Gabon’s own natural resources play a big part in the country’s story – the export of oil and timber, the deposits of uranium (including a rare natural nuclear reactor), and Gabon’s interesting new position as a climate leader, where it uses a carbon-negative status to garner international investment.

Gabon’s thick forest is also home to incredible natural wildlife, some of which is vanishingly rare in the rest of the world – forest elephants, beach hippos, and western lowland gorillas. There’s some amazing videos of them in the wild (including the famous mirror test). I also got a chance just a few days ago to see some of these Gabonese animals in-person at the Calgary Zoo – they’re part of an international western lowland gorilla breeding program, as the species is critically endangered. I even got an up-close from a soon-to-be mother who had propped her feet up on the glass to relax.

Nature and politics aside, Gabon also has some really interesting culture and media – lots of good podcasts, radio, tv shows like Mami Wata (please point me in the direction of episode 2!), movies like Boxing Libreville, Yannis Davy Guibinga‘s photography, and Angèle Rawiri’s novel The Fury and Cries of Women. There’s also great music, including modern pop from Shan’L, Arielle T, Latchow, J-Rio, 80s disco from Ondendo, and traditional musical instruments like the ngombi harp and the ngongo mouth bow. On top of that, I got to learn more about beautiful traditional weddings and Bwiti healing.

As for Gabonese cuisine, I definitely got to try a lot of new things – nyembwé chicken with rondelles was really tasty, and iporo is a great way to cook cassava leaves. I also found some good instant fufu and a great baked banana recipe. However, I may have had my biggest culinary failure of this year (not great since it’s only February) – I learned a hard lesson about checking an ingredient’s freshness with odika chicken.